Once a year, 30,000 quilters descend upon Paducah, Kentucky for its annual quilt competition-- doubling the town's population. "Quilt Week" or “the Academy Awards of quilting” is a huge, adorable spectacle featuring quilt celebrities (including the Quilt Queen herself), a nonstop local TV channel (aptly named The Quilt Channel) and other women passionate about their craft. The film weaves through quilter stories, backboned by the exciting competition. Even though almost everyone has a smile on their face, the film pays tribute to deeper, more serious motivators that make people quilt.
A freak accident pushes two low-level suburban carpet store employees to their breaking point.
A mockumentary about rehabilitated zombies (or necro-sapiens, to be politically correct) facing the adversities that come with living in a time when they aren't yet considered socially equal to homo-sapiens (aka, human beings).
Lizbeth Mateo is an attorney in Los Angeles—one who started a law practice, hired four employees, and took an oath to uphold the U.S. constitution. She also has no legal options to stay in the country. Lizbeth is undocumented.
Since crossing the border at age 14, Lizbeth hasn’t let her immigration status hold her back. Frustrated by an unjust system, she’s drawing from her own experiences to fight for immigrant rights in the streets and in the courts.
Her latest client is Edith Espinal, a woman avoiding deportation by taking sanctuary in a church. As the months turn to years, Lizbeth is running out of legal options to help. Lizbeth returns to her activist roots and teaches Edith to fight back—because sometimes you need to ignore the law in order to change it.
Left behind in the wake of the Civil War, the women of the homefront have a battle of their own that deems itself equally as desperate, challenging and bloody as the soldiers on the front lines.
Among the industrial ruins of America, a new generation is rebuilding home.
When the steel mills shut down in Youngstown Ohio, it shattered a way of life. Over half the population left. Thousands of empty blighted homes were left behind, eroding the social fabric of this once mighty industrial base. Like many post industrial towns, persistent joblessness, crime and poverty plague the city.
Filmed over the course of 2 1/2 years, this film weaves the lives of a new generation of residents who have grown up in a world of post industrial decline. Unlike their parents generation, haunted and traumatized by watching their way of life crumble around them, this generation is able to envision a new future, and they are working to make a life for themselves in their hometown.
This film is an inspiring testimony to the modest but profound resilience and dedication it takes to transform a community. A crucial story to be heard at a time of extreme inequality, divisiveness, upheaval and uncertainty, "The Place That Makes Us" is a meditation on the meaning of home in America today.
In 1970s New York, photographer Martha Cooper captured the some of the first images of graffiti appearing on the city’s subway carriages. Decades later, she realises she’s become an unexpected icon of the street art world. Now, at age 75, must navigate her way through this vastly
While skateboarding, a kind hearted teenager, Dylan, crashes into a beautiful young woman who secretly turns out to be the World Famous Popstar, Bebe A. Love. Keeping her identity under wraps, Dylan takes Bebe to his best friend’s house for help. While he and his group of friends try to help this mysterious woman, unexplained events begin to occur within the home. And they only intensify when Bebe’s handler, Anton, shows up at their door and demands the teenagers return her immediately. When Dylan refuses fearing for Bebe’s safety, he unleashes a barrage of dire consequences that turns a fun graduation party into a night of living hell.
In the middle of an environmental and humanitarian catastrophe a young poet raps in the forest.
My Blood Is Red is a music documentary with a very dark heart. It follows the fortunes of a young indigenous rapper as he tries to make sense of the violence being meted out against his people. His name is Werá and his lyrics are fuelled by the anger and sadness he feels, confronted by the state-condoned genocide of the disenfranchised indigenous of Brazil. On his journey he is adopted by Criolo – one of Brazil’s most famous music artists and godfather of Brazilian hip-hop. He’s also comforted and counselled by Sonia Guajajara, the internationally recognised indigenous leader and charismatic figurehead of the indigenous struggle.
Driven by beats and lyrics we descend into a world of official violence and end up at the largest assembly of indigenous people in Brazil – a demonstration against the government’s barbaric policy of arming farmers, loggers and miners. Thousands of painted and feathered indigenous people – men, women and children – hurl coffins at the Senate building and are repelled with tear gas and rubber bullets.
So actually, this is a film about genocide. And one young artist's response to it.
Because we present as a music documentary we are able to carry this message of the indigenous struggle to commercial and world-music audiences that otherwise might never hear of it. That is the power and the duty of the documentary form – to take an audience on an emotional journey that leaves them with a deeper understanding of the variety, and yet also the shared space of the human experience.
Like Werá says: “We are all Guarani Kaiowa”.
He’s still rapping in the forest today …
As it burns down around him.
Reza and Tooba are a young couple that are struggle to pay their home mortgage. Reza enters into a gambling game in order to make payments, but he loses his wife without knowing it. When he returns home and understands the depth of the tragedy of losing his wife, he looks for a way to escape, however it’s too late and his benefactors have come to collect their prize.