Using spray paint on a garage where Aboriginal mother and grandmother Gloria Black Plume was brutally murdered in 1999, Cree artist Jesse Gouchey paints a large scale animation of a bluebird in flight. The beauty and freedom of the bluebird's motion is contrasted with remembrances of Gloria's surviving family members, who give an emotional glimpse of a woman lost to violence and the injustice of the legal system.
2011
In 1964, after spending a one year protracted legal battle, co-club owners, Howard and Elly Solomon were finally granted a 'unique' cabaret license and the Cafe Au Go Go opened its doors on February 7. Six weeks later with mounting legal bills and depleting funds the couple were quickly going out of business. With few options, Howard and Elly made a desperate, late minute attempt to keep the club open and reached out to popular comedian, Lenny Bruce. Two days into Lenny's performance he was arrested and booked for obscenity charges, alone with Howard and Elly. THat historic arrest, and the international press it garnered would put the Cafe Au Go Go on the tnertainment world map.
Everything seemed to go wrong from within and without. The never-ending official arbitrariness was oppressing, the examining glance outside. But lately, resistance has formed here. With excuses and blinders, the protagonist achieved in building his own world without reacting to the events taking place. But when fate tried to force him into making a decision, he chooses again a facade constructed of lies and spectacle. Breaking legs is a silent movie. It makes room for the linguistic incapability of the protagonist, but the inter-titles try to explore this format.
Sixty in 60 is an experimental art film featuring sixty one-minute works of many types. Genres represented include abstract, animation, documentary, experimental, narrative, stop-motion, time-lapse and video art.
An introduction to Haitian Vodou as told by Vodouisants, Achante is an immersive image-driven portrait of spiritual practices in Haiti.
All fourteen-year-old Robbie Hendrick ever wanted was a family. Yet as another Mississippi summer begins, his wayward mother has run off again fearing a breakdown and he's left to burn the days caring for his half brother, Fess. As the deep days and nights pass without her return and with older brother Lucas dangerously in their lives again, Robbie must face the fact that his dream of a family may only be a dream and he might just lose the only family he's ever had: Fess. Filmed on location in the Mississippi Delta town of Glen Allan, MS with all non-actors from the region, The Dynamiter is a story of family in the forgotten America, uncompromisingly told by the very people who live it everyday.
Pennipotens' is based on the Flemish fairytale 'White Caroline and Black Caroline', first recorded by Edmund Dulac in 1916. Out of spite, a mother repeatedly tries to kill her 'beautiful' daughter, although her attempts are always secretly foiled by her beloved 'ugly' daughter.
A mysterious oblong television set is your personal guide through outer space as it guides us through a series of animated scenes. Along the way, this guide presents a number of downsized robots whose purpose and functions are unknown.
I approach the editing process as a means of reflection through the reinterpretation of what I have lensed. Looking through my footage, I distance myself from my initial attachment to the material and use the people and places as symbols of the sentiment I want to explore. 'Portiragnes' is a lyrical portrait of a small working-class town in the south of France where I spent a month every summer for fifteen years. I consider it a parting film from my childhood haven. It was shot over the summer and winter of 2010-2011, using a Bolex.
In 2008 my friend Michael and I hitchhiked from San Fransisco to New York. That trip forced me to challenge many of my perceptions of this country. This film follows me as I decide to go hitchhiking again, to help work out exactly what it is about hitchhiking that I found so useful and enjoyable in 2008.